Brian
Eno's Apollo @
Royal Festival Hall, London, 15 September 2010
Published:
musicOMH,
September 2010
Original
article:
http://www.musicomh.com/music/gigs/brian-eno_0910.htm
Brian Eno's 1983 album Apollo: Atmospheres And Soundtracks
further defined the composer's groundbreaking concept of
ambient music. His previous experiments in creating music
designed to complement and enhance the listener's surroundings
rather than impose itself on top of them led the listener
to create their own mental imagery. Apollo was different
in that it was written as a soundtrack to accompany Al Reinert's
Oscar-nominated film For All Mankind, which set the music
to edited footage of the Apollo lunar missions that took
place between 1968 and 1972.
Eno's
original studio album was comprehensively reworked and rearranged
by Korean Jun Lee for two special live
performances as the film was shown at London's Science Museum
in 2009, to mark the 40th anniversary of the first moon
landing. Tonight's performance again sees 13-piece band
Icebreaker join forces with renowned pedal
steel guitarist BJ Cole to perform the
Apollo album in its entirety.
Icebreaker
fill the stage first of all to play through David
Lang's Cheating Lying Stealing, however, where
a simple hookline is joined by brass, piano, panpipes, drums
and the sound of steel wheel drums from cars being hit with
hammers. It collapses into a more idiosyncratic and haphazard
wall of noise then returns full circle to the original hook
line. Next up is a performance of Michael Gordon's
Trance, which is similarly challenging at times. Whether
it's art of merely a cacophonous racket is a matter of opinion.
This
prelude creates the fear that Eno's seemingly untouchable
album may be reinterpreted beyond all recognition. But as
the band return to the stage post-interlude, the screen
is revealed and the music begins, these concerns are completely
washed away and the second part of the show is a much more
harmonious affair.
Reinert's
film is played in its entirety as is the gentle ebb and
flow of Eno's seminal album and every moment, while it may
have been subtly reinterpreted, is completely respected
by the band. At times it seems bleak as earth is left far
behind and the fears that must have been going through the
astronauts minds become all too apparent. At other moments
it's heartwarming and inspiring as the first moon landing
is made, then humourous as various astronauts are shown
bouncing around and falling over on the lunar surface.
The
gentle warmth, icy eeriness, melodic calm and mood-setting
ambience of Eno's work is perfectly matched to the imagery
and Icebreaker stay faithful to his original work. This
includes An Ending (Ascent) which forms the high point of
both the album and tonight's performance. Two-thirds of
the way through, BJ Cole joins in on the steel pedal guitar,
providing even more warmth to the overall sound, the almost
tropical feel of the music contrasting with the stark, empty
expanse of the moon. The combination of the music and visuals
is mesmerising, relaxing, absorbing and beguiling and while
this is all there is and there is no narration, no more
is needed.
Overall
it is a fantastic rendition of a beautiful album to soundtrack
one of mankind's greatest achievements, and Icebreaker and
Cole are more than deserving of the extended ovation they
receive. Catch the upcoming UK tour if you can.
- Ian Roullier, 09/2010 |