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Daedelus
@
Cargo, London, 26 August 2005
Published:
SoundsXP,
September 2005
Original
article:
http://www.soundsxp.com/2295.shtml
Underneath the arches in East London's Cargo, Daedelus arrives
on stage wearing shirt, skinny tie and what looks like a
deep red, ring-keeper’s jacket taken from the local
circus. Perhaps a veiled statement of his intentions to
entertain the attentive crowd he finds before him or, more
likely, an expression of his apparent penchant for Edwardian
clothing.
While
his outfit is flamboyant his demeanor is slightly introverted,
hiding behind his floppy fringe and sideburns. The way he
throws himself into tweaking every layer of sound through
laptop and a magic box with a hundred flashing lights on
it seems to be a way of not just creating a rich aural broth
but also staving off his nerves. The music is anything but
muted and every bit as eccentric as his outfit however.
Layer upon layer of beats, samples from the thirties and
forties, fluted melodies and kitsch, old-fashioned strings
form a collage of sound where shapes nearly form but then
disintegrate like sonic waves crashing on a pebble beach.
The
calmer moments accompanied by scrapes, scratches, glitches
and ticking cymbals are reminiscent of Four Tet’s
disturbed reverie but this is a deeper, richer journey into
the outer reaches of electronica. There may be aspects of
DJ Shadow’s cut and paste instrumental
hiphop but there is so much being frantically pasted in
such freeform style you feel almost dizzy taking it all
in. At one point it descends into a manic racket that sounds
like a malfunctioning fairground carousel but, while it
may not always be easy listening, it never descends into
dismissible abstract nonsense. There are always softer,
more accessible moments that ensure the music retains an
element of form and warmth.
The
crowd nod, shake and gently convulse as rhythms and beats
fade in and out, buoyed at one point by a deep dub bassline,
and then it is time for the finale, Fallen Love. It stirs,
swings and swoons with its happily melancholic strings and
sweetly romantic, old-fashioned vocal sample and then falls
into the background. A two second snatch of an eighties
tune and a wisp of melody and Daedelus makes his way off
stage with a bashful wave. The LA-based producer’s
beat mangling and kitchen sink throwing may guarantee a
challenge but it is definitely a welcome one as he mesmerises,
confuses and playfully toys with the boundaries of music.
Ninja
Tune's KeepInTime launch night continues with DJ
Food and DK offering up 808
State, ELO and a surprisingly
good drum and bass remix of Mirror In The Bathroom while
revered turntablist DJ Rocc plays James
Brown alongside old acid and hiphop. It’s
all good fun and fantastic to dance to on the rammed dancefloor
but it’s the American in the Edwardian get-up who
leaves a truly lasting impression.
- Ian Roullier, 08/2005 |