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Jaga
Jazzist @
Islington Academy, London, 3 March 2010
Published:
musicOMH,
March 2010
Original
article:
http://www.musicomh.com/music/gigs/jaga-jazzist_0310.htm
Having
seen their latest album score them another Top 10 chart
placing in their Scandinavian homeland, Norwegian nine-piece
Jaga Jazzist have seen their stock rising on these shores
too.
The
band's increasing popularity away from Norway, buoyed by
latest long-player One-Armed Bandit, is exemplified perfectly
by the crush of bodies inside the Islington Academy tonight,
which is so rammed it's almost uncomfortable.
But
when the band, masterminded by composer Lars Horntveth,
do strike up, it's clear to see how they've built such a
healthy momentum. Taking over the whole stage and filling
it with their presence, the nine members synchronise, breaking
into their latest material. They artfully manage to concoct
a musical cocktail that combines jazz with prog rock references
but is drenched in melody and movement and, thankfully,
lacks any self-indulgence; rather, they produce jazz with
a modern twist that successfully avoids being overly noodly
or pretentious.
As
another evolving, hook-filled epic twinkles and squirms
out of the speakers, each member of the band looks lost
in the moment. From the intense closed-eyed reverie of keyboard
player Øystein Moen, to the ear-to-ear grin of trombonist
Erik Johannessen, to madly bearded drummer, Martin Horntveth
who sits at the front of the stage directing, it's this
clear passion that makes Jaga Jazzist such an exciting prospect
live.
With
each member successful in their own right, instruments are
swapped, at times mid-song, betraying the clear talent and
musicianship that runs throughout the band. Visually they
may dance along the blurred boundaries between geek and
cool but their music transcends all of that. From sax to
keyboard to maraca to tuba, countless instruments are thrown
into the mix, resulting in a full-bodied sound that's sometimes
intense, at others fragile.
Together
they create and share an energy that washes in waves from
the stage, engulfing the audience. The gentle, piano-led
beginnings of Toccata gradually build and then burst like
an aural firework display over the crowd. Each tightly choreographed
track comes across like an organised cohesive jam, as cheery
twinkling funk mixes with jazz and post rock. One richly
layered jam gives way to another extended brass workout
complete with a strobe-lit wigout midway through.
Back
catalogue favourite All I Know Is Tonight receives a fantastic
response from the audience before another new offering Touch
Of Evil, which flits from dark atmospherics to jaunty electronics
in a stroke, whips the heaving crowd up further. The encore
comes in the form of Prognissekongen (which loosely translated
means King Of The Prog Gnomes) and while the second encore
may stretch proceedings just a little too far (with each
composition lasting well over five minutes), this is the
sound of a confident, creative and original band on the
cusp of wider success and acclaim.
As
the whooping, sardined audience would no doubt agree, Jaga
Jazzist's star is in the ascendant.
-
Ian Roullier, 03/2010 |